Discuss Anita Desai as a writer.

Ans.

Introduction: Anita Desai is a very popular Indian novelist. She is known as the Mother of the Indian Psychological novel genre. Her meticulous depictions of modern Indian life have secured her a place of honour in the pantheon of Indian authors. Winner of the Sahitya Academy Award, Desai has authored as many as sixteen works of fiction.

Over the years, Desai won many awards and recognition for her work and was shortlisted for the Booker Prize thrice. Apart from writing. Anita has been actively involved in teaching as well. She continues to be an inspiration for many young aspiring writers today.

Major themes: Most of her plots deal with her personal experience of life. She never patronized a single theme or message. She believed in citing the truth as it is. Her sensitive portrayal of the inner feelings of her female characters is excellent. Many of Anita Desai’s novels explore tensions between family members and the alienation of middle class women. In her books, Anita has managed to deal with topics ranging from anti-semitism to Western quintessential ideologies of India and the death of Indian traditions and customs. Desai’s works deal with contemporary Indian life, culture clashes between the East and the West, generational differences, and practical and emotional exile.

Cry, the Peacock: Cry, the Peacock was published in 1963. The suppression and oppression of Indian women were the subjects of this novel. This work immediately established her as a major voice in Indian literature in English. Here she delves into the mind of a hypersensitive young urban wife. Her name is Maya. She is an enthusiastic and sensitive young lady married to Gautama. He is a practical man. Maya is completely different from him. Maya needs a beloved spouse with broad understandings, extremely conscious, creative and susceptible disposition. Gautama lacks these qualities. She belongs to an orthodox Brahmin family.

She trusts in astrology. Gautama and his family comprise the intellectual face of living. Maya’s sadness is a product of her own belief. She’s not able to face the trivial truths of living. The novel concludes with the death of Maya. And after killing her husband, she mentally gets back of her secure and spoiled childhood. The issue of female is addressed by Anita Desai with sensitiveness. By Maya’s role, Anita Desai carries a new aspect of feminist publishing.

Other novels: Her voices in the city encompasses the author’s experiences in the city of Calcutta. In Bye-Bye, Black Bird, Desai captures the immigrant’s dilemma. Here nostalgia and alienation, rejection and acceptance are the major themes. The clash between East-West has been presented suitably. Where Shall We Go This Summer deals with the situation of the middle-class Indian wife in a contemporary urban setting. Her Fire on the Mountain is praised for its poetic symbolism and use of sounds. It featured three female protagonists each subdued or damaged in some way. Clear Light of Day is praised for its highly evocative portrait of two sisters caught in the lassitude of Indian life. Its characters are revealed not only through imagery but through gesture, dialogue, and reflection. It is a study of Delhi that combines fiction with history to explore the lives of a middle-class Hindu family. Baumgartner’s Bombay explores German and Jewish identity in the context of a chaotic contemporary India.

Other novels by Desai include In Custody and Journey to Ithaca. Fasting feasting takes as its subject the connections and gaps between Indian and American culture, while The Zigzag Way tells the story of an American academic who travels to Mexico to trace his Cornish ancestry.

Plot: Anita Desai’s novels reveal certain recurring patterns in plots, settings, and characterizations. The plots of her novels fuse two opposing propensities one toward the gothic mystery and the other toward the philosophical novel. The gothic orientation is evident in varying degrees in all her novels. Fire on the Mountain comes closest to being purely a psychological thriller; in Cry, the Peacock, Maya, the neurotic heroine, kills her husband, thereby fulfilling the prophecy of an albino sorcerer; in Voices in the City. Monisha, an unsettled, manic-depressive housewife, pours kerosene over herself and burns herself to death. On the other hand, most of Desai’s novels also contain a deep rooted, philosophical concern about the meaning of life. Most of Desai’s protagonists are dissatisfied with their routine existence. They search for a more meaningful life.

Setting: Desai’s novels evolve a typical setting of their own. Most are set in the city. At the hearts of the novels are usually big, old houses with several verandas, green shutters, gardens, servants, and pets.

The garden is extremely important in Desai’s world because her characters show an unusual sensitivity to it. Trees, creepers, tendrils, flowers, fruits, seasons, pets are more vividly perceived in Desai’s novels than anywhere else in Indian English fiction. The characters belong to the upper class. The city, the hill station, the big house with a garden, a decadent family, an obsession with the past-these make up the typical world of a Desai novel.

Art of characterization: In her pursuit to find out the true meaning of existence. Anita Desai makes her characters her mouthpiece. They are not simply representatives of cardboard creatures. They do not simply stand for a certain society or a certain moment in history. Anita Desai’s elementary concern in her novels is to explore and to expound human psyche and self. In the contemporary socio-political set up the predicament of the modern man does seem to be one of the dominant interests of the novelist.

Desai’s female characters are generally neurotic and highly sensitive. They are unwilling to adjust with the reality. They live in an alienated world of dream and fantasy and stand separated from their surroundings. Maya is a suitable example. Being a sensitive woman novelist Anita Desai creates a striking picture of characters, both male and female. Her characters are rebels. Anita Desai is expert in delineating the problems of her protagonists which are not corporal but mental. In short, to Anita Desai characterization is as important as plot-construction or story-telling. Desai’s protagonists can be divided into essentially two types: one type possesses a neurotic, hypersensitive, artistic sensibility: the other is cynical, tough, and acerbic. Maya, Monisha, Sarah, Sita, Tara and Matteo belong to the first category, while Nirode, Amla, Dev, Nanda, Bhim, and Sophie belong to the second. Desai’s characters are usually in a state of conflict, either with themselves or with their environment. The results of this basic conflict are murder. insanity, suicide, compromise and death.

Writing style: Anita Desai’s work is a part of new style of writing. Anita Desai once said. “My style of writing is to allow the story to unfold on its own. I try not to structure my work too rigidly.” Her distinct style of writing, her original characters and her realistic subject-line is what made her writings so endearing. Desai’s descriptive skill is widely acclaimed by critics.

Her novels are quite short. Her use of image and symbol is sophisticated. Her writing style is praised for its poetic symbolism and use of sounds. Desai’s novels demonstrate her constant experimentation and progressive maturation as a writer.

Conclusion: Thus, Anita Desai is a great novelist. She is popular in the entire world. She has made a solid path for the coming generations.