Describe John Donne as a religious poet.

Ans.

Donne’s Religious Poetry

John Donne is one of the greatest of English religious poets. No doubt Donne’s religious poetry belongs to the later part of his career, to the period after his ordination, and the gloom, despair and frustration which resulted from the death of his wife, poverty, and ill health. The earliest of his religious poems are the sonnet-sequence called La Corona and The Litanie. The best of his religious poetry is contained in the Holy Sonnets, The Divine Poems, and The Three-Hymns. Donne’s chief power as a religious poet is shown in the Holy sonnets and last hymns. He treats God as a conqueror or a ravisher. In his religious poetry, there is considerable variety of tone and method, ranging from casuistry and debating tricks to a profound urgency and conviction, and sometimes both may be found in the same poem. Donne is the first of the introspective, Anglican, religious poets of the seventeenth century.

Themes of Donne’s Religious Poetry

Search for true religion is the theme of his early religious poems contained in La Corona and The Litany. But in passionate holy sonnets he imagines himself to be in the presence of God, confessing that he is a great sinner, and prays directly or indirectly for God’s mercy and favour. The theme of the frailty and decay of this world is generally the subject of Donne’s religious poems. Other important themes of Donne’s religious poems are the insignificance of man himself, the antithesis between the world and the spirit, the transitoriness and unsatisfactoriness of all earthly enjoyments, the pangs suffered by the soul in the imprisoning body. In short, true religion, fear of death and damnation, love of God and hope of salvation are the themes of Donne’s religious poetry.

The Main Characteristics of His Religious Poetry

(1) The Stamp of His Personality: Donne’s religious poetry bears an unmistakable stamp of his personality. It is highly individualistic and personal as well and it gives expression to his highly complex personality. His best religious poetry is intensely personal. It is passionate and dramatic prayer to be delivered from temptations and distractions. If religion is defined, it may be said that Donne’s poetry is in this widest sense religious, but only accidentally or incidentally Christian.

(2) Religion in True Way: The poet is concerned, not with subtleties of doctrine, with the infinite subtleties of temptation from which he asks to be delivered, with the innumerable wandering by-ways and mazes that would entice him from the straight and narrow path. The religion which gives such passion to his poems is religion in its most primary and fundamental sense; what Donne asks for is purgation, purification, illumination-a directing of heart.

(3) His Looking Religion for an Evenness of Piety: Like Wordsworth, in his middle years, he came to long for a repose that ever is the same. He did not look religion for an ecstasy of the spirit which would efface the memory of the ecstasy of the flesh, but for an evenness of piety which would preserve him from despair. The struggles and conflicts to which the Divine Poems witness did not lead to the secret heights and depths of the contemplative life, but to the public life of duty and charity.

(4) Christianity in His Poems: In his divine poetry feeling and thought are judged by the standard of what a Christian should feel or think. He cannot escape using the language of the Bible, and of hymns and prayers, or remembering the words of Christian writers. Christianity is a revealed religion, contained in the scriptures and the experience of Christian souls. The truths of revelation are the accepted basis of his religious poetry.

(5) Awe of Death and Damnation: The poet admits the movement of time, decay and death. The death of Sir Robert Druary’s young daughter Elizabeth and his composition of the two Anniversaries on her death made him feel that his own lot is not secure. In The First Anniversary, he writes:

“Her death hath taught us dearly, that thou art

Corrupt and mortal in thy purest part.”

His Philosophical and Learned Reasons

His religious poetry is packed with philosophical and learned reasons. In the sonnet If Poisonous Minerals, the poet writes that poisonous minerals, the forbidden tree, the lustful goats, the treacherous and malicious serpent which was the Devil himself all were greater sinners than he. In Death Be Not Proud, he consoles himself with the argument that Death is only a short sleep after which we wake up eternally.